The nominations include Outstanding Variety Special (Live), along with recognition for directing, choreography, lighting design, music direction, production design, hairstyling, and several other creative and technical achievements. The performance was also produced with Bad Bunny serving as one of the credited executive producers.

The halftime show drew one of the largest television audiences of the year and quickly became one of the most-watched performances in Super Bowl history. Its broad Emmy recognition reflects the growing scale and creative ambition behind the NFL’s annual music event.

In recent years, Super Bowl halftime shows have received increasing attention from television awards, recognizing not only the artists on stage but also the teams responsible for producing these large live broadcasts. This year’s nominations continue that trend, highlighting the extensive work involved in creating a performance seen by millions of viewers around the world.

The announcement confirmed that Bieber will perform alongside BTS, Madonna, and Shakira. The show is being curated by Chris Martin of Coldplay and will also feature Burna Boy, conductor Gustavo Dudamel, and the PS22 Chorus as part of the event.

The halftime show is designed to combine music with a broader charitable effort. It supports the FIFA Global Citizen Education Fund, an initiative focused on expanding access to education and football opportunities for children around the world.

Bieber said he is honored to be part of the event and looks forward to performing on one of the world’s biggest stages. With artists from different musical backgrounds sharing the lineup, the halftime show marks a new chapter for the FIFA World Cup Final and brings a large scale live music performance to the championship match for the first time.

The single rose from No. 6 to No. 1 on the chart dated July 11, giving Shenseea her first leader on a Latin chart. The milestone is especially notable because it also places the Jamaican artist in a rare position among Caribbean women crossing into Latin radio at this level.

For Daddy Yankee, the song adds another major chart mark to a long career. Echo becomes his 31st No. 1 on Latin Airplay, tying him with Bad Bunny for fourth place among the artists with the most No. 1 songs in the chart’s history.

The track arrives as music connected to the 2026 World Cup begins to build momentum ahead of the tournament, which will be hosted by the United States, Mexico, and Canada. With its mix of Latin, dancehall, and global pop energy, Echo now has a stronger radio platform heading into that rollout.

The rapper and pop star later shared moments from the event on social media, posting photos and clips from her visit. In one post, she referred to herself as “White House Barbie,” a phrase that quickly drew attention from fans and entertainment observers.

The appearance adds to Minaj’s recent visibility in political spaces. She has publicly engaged with Trump and conservative figures in the past, and her presence at the White House event continued that pattern.

Trump’s comments focused on Minaj’s influence and public profile. He described her in positive terms while speaking at the lunch, placing her among the notable guests in attendance.

Minaj has long been one of the most recognizable names in hip-hop and pop, with a career built on major chart success, a strong fan base and frequent cultural conversation. Her latest White House appearance is now part of that broader public discussion.

The donation is being directed through the FIFA Global Citizen Education Fund, according to the announcement, and is meant to help communities dealing with the impact of the recent earthquakes. The fund supports education access and resources for children in areas facing crisis or instability.

Shakira, who has long supported education-focused causes through her philanthropic work, has also connected her recent World Cup-related music efforts to the same initiative. The move adds another layer to relief efforts aimed at helping families and schools recover after the damage.

The contribution comes as artists, organizations, and public figures continue to respond to the emergency in Venezuela. Relief work remains focused on immediate needs, recovery support, and helping children return to safe learning environments.

While on stage, the BLACKPINK member debuted unreleased material and told the crowd that sharing the songs with so many people felt special. She also said she could not wait to release the music soon, giving fans a direct hint that new tracks may arrive in the near future.

The performance adds to a busy solo chapter for Jennie, who has been building her own musical identity alongside her work with BLACKPINK. Her recent solo activity has kept attention on how each member of the group is expanding creatively outside the band’s global pop success.

No official release date has been announced yet. For now, the festival preview gives fans a first look at the sound and direction Jennie may be preparing for her next solo release.

The track arrived as part of a new countdown leading into the 20th anniversary of B’Day, her 2006 studio album. The countdown is set to run for 60 days and ends on September 4, 2026, a date that marks both the album’s anniversary and Beyoncé’s birthday.

Morning Dew Donk also came with a lyric video featuring archival footage shot by photographer Cliff Watts. The visual adds a nostalgic layer to the release, connecting the new track to the era that helped shape one of Beyoncé’s most recognizable album cycles.

The song credits include Beyoncé, Pharrell Williams, The-Dream, and Darius Dixson. Its arrival follows a busy stretch for Beyoncé, who recently expanded her country-influenced chapter with Cowboy Carter.

For the BeyHive, the release works as both a throwback and a fresh addition to the B’Day story, giving fans another reason to revisit one of the key albums in her catalog.

In recent social media posts, Tyga has presented $TARFACE as a separate persona tied to a new musical direction. The first single from the project, “GAVE U RACKS,” puts more focus on melody and bright synth-wave elements than his usual rap-centered approach.

The new era also includes “LAVI$H,” a collaboration with Fenix Flexin. A teaser for the track drew strong attention online, adding to interest around the full project. The music is expected to be part of a 10-track release connected to the $TARFACE concept.

The shift follows Tyga’s 2025 album “NSFW,” which stayed closer to his established hip-hop sound and featured several high-profile guests. With $TARFACE, he appears to be using both music and visuals to frame a separate chapter in his catalog.

The announcement came with the release of Cupcake, a new single that leans into the rapper’s high-energy sugar trap style. The sound marks a shift from Lethal, her 2025 album that moved closer to rap-rock and heavier guitar-driven production.

RX also reunites Rico Nasty with longtime collaborator Kenny Beats, who is now credited as Kenneth Blume. Their creative history runs deep, from early tracks like Smack a Bitch to their 2019 joint mixtape Anger Management, a project that helped sharpen Rico’s explosive mix of punk attitude, rap delivery, and playful chaos.

Dylan Brady of 100 Gecs is also involved in the new album and produced a track called Butthead. With RX, Rico Nasty appears to be reconnecting with familiar collaborators while returning to a brighter, punchier side of her sound.

During a recent appearance on Club Shay Shay, Thompson was asked about his bond with Drake and whether he could play a role in bringing the rapper and James back together. Thompson said Drake is like family to him and noted that they have known each other since he was 17.

The former NBA champion also said Drake was there for him when his mother died, adding that their relationship remains close. Thompson, who has strong ties to both Drake and James, said he would love to help repair the relationship and repeated that he is trying.

The public distance between Drake and James drew attention after James attended Kendrick Lamar’s Pop Out concert in Los Angeles, where Not Like Us became a major moment. Thompson did not give details about any private conversations, but his comments made clear that he wants to see the two reconnect.